Actual Line- is a line that is actually present. Implied Line- is a line that doesn’t really exist, but appears to be present. ![]() Line: The edge of a shape or form or the direction followed by anything in motion. Depth – overlapping forms suggest depth changes in scale can suggest depth illusionistic perspective can suggest depth, atmospheric perspective (see images here) can suggest depth.Movement – How the artist leads the viewer’s eye around the page.Contrast – When one extreme is pitted against another.An example is the exaggerated proportions in caricatures. Proportion – The relative size of different elements of an artwork.Golden Rectangle – Another method of arranging a composition. This tends to be the natural placement of visual focus, and is also sometimes referred to as museum height. Visual Center – The visual center of any page is just slightly above and to the right of the actual (mathematical) center. Basically, take any frame of reference and divide it into thirds placing the elements of the composition on the lines in between. Focus/Emphasis/Dominance – the prime center of visual importance within a composition to which all other visual elements yield it holds the viewer’s attention because of its attractive and dominant influence on its surroundings Rule of Thirds – a compositional tool that makes use of the notion that the most interesting compositions are those in which the primary element is off center.Pattern – any compositionally repeated element or regular repetition of a design or single shape pattern drawing sin commercial art may serve as models for commercial imitation. Repetition/Rhythm – a repeating visual element (line, shape, pattern, texture, movement) a flowing and regular occurrence.There are no specific rules for asymmetrical balance except that of diversity Symmetrical = dividing a composition into two equal halves with seemingly identical elements on each side.Īsymmetrical = balance based upon a visual sense of equilibrium that can be felt more than it can be measured. ![]() Balance – can be Symmetrical or Asymmetrical.Color – (we won’t use color in Beginning Drawing).Value/Tone – Relative lightness or darkness.Shape – Flat, 2D aspects of form, as opposed to volume (think silhouette).Line – The way we treat our lines establishes a particular/dominant mood/emotion.
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